In ‘Bonjour Tristesse’, Miyako Bellizzi’s dreamy costumes inform a vogue story of their very own

by Editorial Team
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A particular black and white picture, certainly one of Larry Clark’s Tulsa images from his controversial 1971 sequence, sits behind costume designer Miyako Bellizzi once we meet on Zoom in anticipation of her new challenge, Bonjour Tristesse. A up to date retelling of Françoise Sagan’s 1954 novel, and the directional debut of writer-turned-filmmaker Durga Chew-Bose, the movie’s protagonist, 17-year-old Cécile (Lily McInerny), experiences an entirely totally different adolescence to the suburban youngsters Clark depicted 50 years in the past, and certainly those that inhabit his later movies, and but his work had a delicate however not insignificant bearing on the function. Chloë Sevigny, whose breakout position arrived with Clark’s Children, stars in Bonjour Tristesse, whereas the enduring blue T-shirt she wore within the 1995 image, finds a double in Cécile’s wardrobe. ‘That was a particular correlation I solely made later,’ shares Bellizzi. ‘Possibly it was unconscious.’

‘For me, Cécile’s character was the one which I used to be, not most invested in, however that I labored on so much,’ continues the stylist and costume designer. ‘And I had loads of enjoyable with Cécile.’ After we meet the teenage within the south of France along with her father Raymond (Claes Bang) and his girlfriend Elsa (Naïlia Harzoune), she’s not explicitly excited about garments, preferring to bop, smoke, kiss the boy subsequent door or learn beside an meeting of drinks (water, juice and tea). Her type is basically informal and he or she not often bothers with trousers in the home; in a single scene, the digicam seems to comment on this carefree perspective, watching as she realises her jumper is inside out, takes it off, and rectifies the error.

The story behind ‘Bonjour Tristesse’s dreamy costumes

Swimwear options all through the film, right here worn by Aliocha Schneider as Cyril and Lily McInerny as Cécile

(Picture credit score: Greenwich Leisure)

Following the arrival of Sevigny’s Anne, a clothier and her late mom’s finest pal, a lady who’s characterised as giving hugs which are heat and funky and now not than a number of seconds lengthy (‘perhaps that’s what magnificence is,’ Cécile later ponders), the temper shifts and {the teenager} is confronted by the 2 girls, and the totally different variations of who she would possibly develop into after the summer season. Clothes turns into a key signifier, a witness to the wedding of stiff formality and creativity that distinguishes Anne’s character, and a automobile to include Elsa’s free spirit. For the previous, Bellizzi referenced Georgia O’Keeffe (‘she’s a artistic girl on this business that had a uniform’), whereas Elsa, a dancer, turned a form of stand-in for the offbeat aesthetic of New York label, Maryam Nassir Zadeh.

‘I prefer to be out in the actual world too, that is how I prefer to be impressed,’ the stylist, who’s finest recognized for working with menswear, notably on the Safdie brothers’ movies Good Occasions and Uncut Gems, provides. ‘I’d go to markets in France, making an attempt to supply domestically. I’d journey, take the practice, be impressed by the people who I noticed within the neighborhood.’ Costco-sized rental homes in Paris have been key for classic and fashionable items, whereas Lebanese designer Cynthia Merhej, of the label Renaissance Renaissance (an LVMH Prize semi-finalist), was moreover introduced in. ‘It was Durga’s thought, she was like “I see Anne being Cynthia’s work”, and truthfully it was refreshing,’ displays Bellizzi. ‘It’s a really uncommon, very particular collaboration that does not exist a lot on this business. It was just like the assembly of the minds, we simply understood one another.’

Bonjour Tristesse Movie Costumes Chloe Sevigny

Cecile’s gown, created from a reworked design by Renaissance Renaissance’s Cynthia Merhej

(Picture credit score: Greenwich Leisure)

Whereas Merhej’s items turned the blueprint for a lot of Anne’s wardrobe – an early problem for Bellizzi and Chew-Bose, ‘seeing Chloë not as the style designer that perhaps everybody would assume that she is’ – the pair’s actual showpiece is a champagne colored night frock that Anne presents Cécile. Reworked from an present Renaissance Renaissance design (and initially produced in black), it contains a magnificent skirt with a practice, and a tie that transforms its essence right into a bubble form. ‘The gown is probably the most stunning factor,’ says Bellizzi. ‘We modified the material content material, going with a extremely stunning silk taffeta, and added tulle beneath so it might create extra physique and seize the sunshine.’

Supply: Wallpaper

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