Guests to London’s Corinthia Lodge in Mayfair this festive season can take pleasure in slightly reward buying due to a thoughtfully curated pop-up by Devon-based design studio Feldspar. Based in 2016 by Cath and Jeremy Brown, the model has gained popularity of its ‘objects for all times’ – fantastic bone china ceramics and homeware made for contemporary life however rooted in conventional craftsmanship and design.
Bone china manufacturing is listed as an endangered craft in Britain, which is why Feldspar is so keen about making its wares within the UK – every part is produced in its Devon studio or by a household pottery in Stoke on Trent utilizing conventional slip casting and hand portray.
Marking the studio’s first foray into shopkeeping, the pop-up blends seamlessly into the Mayfair lodge’s elegant environment, marrying the bone china model’s artisanal philosophy with the allure of old-world lodge interiors: suppose deep inexperienced paneling, polished walnut vitrines with tactile, rounded edges, and a bauble show echoing classic lodge key racks.
We caught up with Cath and Jeremy throughout the pop-up’s first week to learn the way the idea got here to life and what guests can anticipate from this uncommon retail expertise.
Feldspar’s founders mirror on creating their first bodily store area
Wallpaper*: What impressed the design of the pop-up?
Jeremy Brown: For the shop we have been impressed by old school lodge experiences – panelled partitions with white detailing to select up on the white of our bone china. The deep brown polished walnut vitrines add a way of heritage and custom however are formed like our ceramics with rounded, tactile edges. And the bauble show behind the counter is impressed by lodge keys, all hanging up in a neat grid. From 1 December this show will rework into an creation calendar too, with a brand new hand-painted bauble every day showcasing our ever-growing library of colors.
W*: What has it been like bringing all of your wares collectively in a single area on the Corinthia Lodge?
JB: It’s great to have every part all collectively on present. Even on the workshop, it’s uncommon that we’ve every part on show. It offers an opportunity to see the distinction between sizes, and we’ve discovered prospects are discovering new pairings of merchandise, but additionally simply the magnitude of our assortment. As a result of we don’t subscribe to tendencies or seasonal ranges, each model we’ve ever made we proceed to make, so the gathering has been slowly however steadily rising all through the years.
W*: Are you able to share extra concerning the unique new objects and collaborations launching on the pop-up?
Cath Brown: Our first launch on the pop-up is our nutcracker – it’s a reasonably large branching-out for us, because it’s made out of walnut and brass quite than ceramic. Jeremy initially skilled as a woodworker and has been hankering to get again to utilizing wooden for years, so we’re delighted to have the ability to lastly launch this, our first in a set of picket wonders and an merchandise a few years within the making. It’s a hand-turned walnut bowl with a brass pedestal with an accompanying brass and walnut hammer – we accumulate nutcrackers at dwelling and needed to make one which favours accuracy over power. The hammer is completely weighted so it’s potential to delicately crack the nutshells quite than crush them to smithereens. It is available in a gorgeous field, as all our wares do, with an accompanying flip ebook superbly illustrated by John Broadley – an instruction handbook of kinds! We’ve solely made an version of fifty items of those, by no means to be repeated in precisely the identical method once more, and over half of these have already been offered to pre-orders, so we’re excited to see the place the opposite items discover houses.
W*: How do you see the pop-up influencing how prospects join with Feldspar’s merchandise?
CB: It makes such an enormous distinction for our prospects to have the ability to contact and really feel our merchandise. They’re all made with uneven, ‘wobbly’ profiles, with dimples for thumbs and fingers to carry them – as we all the time say, fingers aren’t completely cylindrical, and neither are our mugs. So to have the ability to maintain issues before you purchase them [means] you may totally respect the entire design – not simply the tactility of the shapes but additionally the fineness of the bone china, the variances of the hand-painted accents.
W*: What has your expertise of taking part in shopkeeper been like up to now, and do you envision Feldspar exploring extra bodily retail areas sooner or later?
JB: It’s been a whole lot of enjoyable. We’re usually holed up in rural and pretty distant workshops in Devon, so assembly and chatting with prospects is invaluable and attention-grabbing. It’s beautiful to have the ability to put faces to names which have ordered on-line earlier than, to find out how folks use our wares and that are their favourites. It’s been great up to now and we’ve already acquired plans for subsequent Christmas too.
Feldspar at Corinthia is open every day from 12 – 8pm till 5 January 2025. Corinthia London, Whitehall Place, London, SW1A 2BD
feldspar.studio
Supply: Wallpaper