The approaching arrival of the Paris Olympics is the speak of Haute Couture Week – and, if the primary day is something to go by, the inspiration level of this season’s collections. At Dior, Maria Grazia Chiuri recalled the classical silhouettes of the occasion’s Historic Greek roots, whereas Thom Browne riffed on American sportswear and ended his runway present with a medal ceremony of his personal (right here, although, the Chaumet-designed medals of the actual video games had been changed with fashions in gold, silver and bronze embroidered blazers). In the meantime four-time gold medal winner Serena Williams took her seat entrance row, becoming a member of the same old phalanx of high-profile company who journey to Paris for the high fashion reveals, which signify the top of French craft (a legally protected time period, couture refers to made-to-order robes constructed solely by hand for personal purchasers).
Elsewhere on the week, count on the primary Chanel present for the reason that departure of artistic director Virginie Viard (a substitute is but to be introduced), alongside a visitor assortment by Courrèges’ Nicolas di Felice at Jean Paul Gaultier (earlier visitor designers have included Simone Rocha, Haider Ackermann and Olivier Rousteing). Exhibits from Armani Privé, Balenciaga and Viktor & Rolf will spherical out the week.
Right here, in an ongoing spherical up, Wallpaper* picks the very best of Haute Couture Week A/W 2024.
.
The perfect of Haute Couture Week A/W 2024
Dior
It was inevitable that the Paris Olympics would affect the season’s collections: driving across the metropolis, the video games’ structure is already taking up town’s streets, with huge stands being erected at Place de Concorde and alongside the Seine’s bridges (together with some quantity of grumbling from town’s residents about site visitors and the upcoming QR codes which can stop them from travelling outdoors of their very own neighbourhoods in the course of the video games). Maria Grazia Chiuri was the primary of high fashion week to reference the Olympics explicitly with a set which seemed again to the classical roots of the video games in Historic Greece with clothes which draped, toga-like on the physique, or referenced the ‘peplos’, a garment made out of a singular piece of material and folded on the waist. Chiuri famous it was a silhouette that had impressed Christian Dior himself, although right here she spoke of a want for modernity and freedom, utilizing jersey material – extra usually related to sportswear – to interchange the standard high fashion materials the home founder would have used.
The reference, she stated was the 1924 Olympics, additionally held in Paris, the place girls had been nonetheless preventing to compete. New materials, like jersey – first utilized by fellow feminine couturier Coco Chanel in 1916 after extra luxurious materials grew to become exhausting to pay money for – signalled a temper of liberation in girls’s clothes. It felt a becoming reference for Chiuri, a feminist designer who has lengthy rallied towards the concept couture should constrain the physique; right here was a set of easy and ethereal class, which little question appealed to the home’s purchasers in Paris’ presently sweltering warmth. ‘[This collection] represents a rare alternative to mix couture and sportswear with classicism, revolt, collective vitality and, above all, the political worth of the feminine physique,’ the designer stated through the gathering notes. ‘It permits [me] to claim the facility… of high fashion actions… [imagining] the class of a lady without delay delicate and robust. A lady who performs simply in addition to a person.’
Thom Browne
Final 12 months, as a part of the twentieth anniversary celebrations of Thom Browne’s eponymous model, the American designer staged his first-ever high fashion outing in Paris. Yesterday (24 June 2024), his sophomore couture assortment – introduced at Paris’ Musée des Arts Décoratifs – confirmed a designer already astute within the medium, which permits him to flex his artistic muscle with each imaginative runway reveals and extraordinary feats of embellishment and craft. Starting with a collection of male fashions clad in white Thom Browne skirt fits taking part in a sport of tug-of-war, like at Dior, the designer seemed in direction of the upcoming Olympics for inspiration. Right here, he imagined a set of de- and reconstructed American sportswear – just like the tailor-made sportscoat, the swim trunk, and the pleated tennis skirt – created largely from white muslin in a nod to toiles, the draft variations of clothes often constructed from the material (company had been additionally instructed to decorate within the muslin coats which served as the gathering’s invites). After all, these archetypal clothes had been riffed on in imaginative methods by the designer, playfully layered or cinched and corseted, or adorned with sweeping embroidery and embellishment. In typical couture type, it ended up with Anna Cleveland because the bride, her robe erupting into an unlimited bunch of white flowers alongside its again, every one painstakingly crafted from material. The ultimate scene, although, was a medal ceremony of types: three fashions, in gold, silver and bronze embroidered jackets stood on the rostrum for the present’s closing tableau. ‘Couture is the Olympics of trend,’ stated the designer.
Schiaparelli
Daniel Roseberry hosted his newest couture present in Hôtel Salomon de Rothschild, the stately former residence of Adèle von Rothschild identified for its ornate, gilded salons which have hosted many a runway present, from Valentino to Maison Margiela. It was the extra nameless basement, although, which the American designer selected to set his newest assortment, the darkened area lit solely by a collection of dim chandeliers. It set the scene for a set titled ‘The Phoenix’, which noticed Roseberry impressed by a coq-feathered stole home founder Elsa Schiaparelli wore to the opening of the Ambassadeurs restaurant in Paris in 1941. Impressed by the Russian prima ballerina Anna Pavlova, the stole had been hand-painted by the artist Jean Dunand; on this garment, Roseberry noticed a imaginative and prescient of the Surrealist couturier as a rising phoenix, ‘a magical creature whose energy lay in her ceaseless capability to reinvent – not solely herself, however trend, too’.
Impressed by this concept of rebirth, Roseberry introduced a set of free affiliation which was much less to do with tidy thematics than a want for every look to face alone and evoke emotion (in spite of everything, the couture shopper is more likely to solely find yourself with a single look from the gathering; ‘Individuals don’t purchase Schiaparelli, they acquire it,’ Roseberry famous somebody telling him lately). It started along with his personal phoenix – the opening look noticed a mannequin in a velvet cape adorned with trompe l’oeil feathered embroidery in three-dimensional chrome – whereas later items largely explored silhouette, whether or not blown-up tailoring or sinuous sheer robes narrowed on the waist with corsets. In the meantime, monumental bows, millefeuilles of ruffles, and riffs on the opera coat made reference to the archetypes of midcentury high fashion (Roseberry stated the Fifties, particularly, was a reference this season).
‘Every robe, every bustier, every shoe, each piece of folded velvet feather, or triple organza spike, seeks to catch the attention and maintain it,’ he stated. ‘That is what makes high fashion so particular: it’s an expression of my imaginative and prescient for the maison immediately, one free from advertising and marketing and merchandising. Nevertheless it’s additionally one thing else: a method for me to honor that relationship, some of the intimate ones on this planet – the one wherein I give girls the facility to be reborn, repeatedly and once more.’
Keep tuned for extra from Haute Couture Week A/W 2024.
Supply: Wallpaper