Generally, little fragments do supply a clearer view of the larger image. At Lake Como Design Competition 2025 – which ran 14-21 September, and was themed ‘Fragments’ – that perspective mirrored the state of latest design itself, the place examined concepts are being reimagined via materials innovation. Maybe Como’s historical past as a centre of rationalist structure isn’t only a legacy of the previous, however a dwelling affect. It quietly formed the work on present, revealing recurring themes of adaptability, materials adaptation, lightness and wellbeing, each in kind and in philosophy.
Plasma-f’s ‘Mirach’ desk
(Picture credit score: Nicolò Panzeri)
One of many first items to greet guests to the pageant’s ‘Fragments of Reminiscence’ exhibition at Villa Grumello captured the theme with placing readability. Plasma-f’s ‘Mirach’ desk incorporates a central hole, resembling a deliberate fracture that underscores the idea of fragmentation inherent in each the fabric and its making.
Composed of over 250 marble offcuts, together with Verde Alpi, Levanto, Carrara, and Calacatta, the desk transforms discarded fragments right into a purposeful and intrinsically stunning object.
(Picture credit score: Nicolò Panzeri)
Assembled with minimal glue and held collectively primarily via compression, it displays a circular-driven method to design. ‘I all the time attempt to optimise the supplies I exploit and take into consideration sustainability – meaning additionally contemplating how I exploit chemical compounds, like glue,’ says architect and designer Alberto Smaldone of Plasma-f. ‘Marble is extremely proof against compression; you may push it even additional than concrete.’
‘Como Packing containers’ by Dayanita Singh and Giuseppe Terragni’s Sant’Elia major faculty
(Picture credit score: Alessandro Saletta – DSL Studio)
Coherent and fascinating, this yr’s design pageant introduced quite a few exhibitions, studio visits and installations throughout the town, but the organisers managed to make sure cohesive dialogue between initiatives from the previous and current.
One instance is Dayanita Singh’s ‘Como Packing containers’ set up, that includes black and white photos of Giuseppe Terragni’s Sant’Elia major faculty, a rationalist constructing that’s open for visits throughout this yr’s version of the Lake Como Design Competition.
The Delhi-based photographer’s residency in Como resulted in 30 particular person prints of the varsity constructing. The photographs have been displayed in bespoke teak bins she had made in Delhi. The concept behind the bins is that you just stack a set of photographs inside, and alter the one displayed on high as and if you like. ‘That is the seventh field set that I’ve made, and I do that to make my work extra accessible,’ she explains. The limited-edition bins have been out there completely on the pageant and will work as a substitute of a number of photograph frames for individuals who stay in small areas, or ‘individuals who journey lots or stay in numerous cities. You possibly can take it together with you as you progress from place to position,’ Singh provides. ‘I truly selected this measurement as a result of it could simply slot in a bag.’
(Picture credit score: Alessandro Saletta – DSL-Studio)
Guests have been capable of tour the varsity constructing, which options expansive glazing, designed with the scholars’ wellbeing in thoughts, and consider a video summarising non-profit Wonderlake Como’s venture to interact major school-aged youngsters with the town’s well-known rationalist buildings.
‘Structure in Fragments’: Aldo Rossi
(Picture credit score: Alessandro Saletta – DSL Studio)
An exhibition devoted to Aldo Rossi, titled ‘Structure in Fragments’, occupied the previous church of San Pietro in Atrio. The architect and designer was apparently fairly non secular, so the venue (although deconsecrated) felt becoming.
(Picture credit score: Alessandro Saletta – DSL Studio)
Whereas Rossi is broadly recognized for his neo-rationalist work, this exhibition, curated by Chiara Spangaro in collaboration with the Aldo Rossi Basis, was divided into ‘stations’ and supplied a extra intimate portrait of him. ‘He was an incredible author; his work in Italian will be very poetic. It all the time places people on the centre,’ says Spangaro. A brief documentary movie complemented the drawings and theories on show, collectively exploring the connection between folks and concrete area.
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