Mud pits to massive flowers, the perfect runway units of S/S 2023

by Editors Staff

Flowers, piles of mud, a cardboard grotto – an eclectic array of present units offered a transporting backdrop for this season’s runway exhibits, which culminated earlier this week in Paris. Spanning trend capitals, Wallpaper* selects the perfect S/S 2023 present units and venues – from Loewe to Balenciaga.

The very best S/S 2023 present units

Loewe (prime)

The invitation for Jonathan Anderson’s newest Loewe assortment was a single pink anthurium flower, delivered to attendees in a slim white field. On arrival on the present house – housed within the equestrian enviornment of La Garde Républicaine – visitors had been greeted with that very same anthurium flower, right here looming over the runway in blown-up fibreglass. ‘A product of nature that appears like an object of design, and handled as such,’ mentioned the designer of its visible attraction. As such, it reappeared in varied varieties – as a corsage, sprouting from a shoe – throughout a set which noticed Anderson discover silhouette and kind. ‘A give attention to line, color and form,’ mentioned Loewe. ‘The fact of clothes, in rigidity, with precision.’


An unlimited mud-filled pit offered an surprising runway for Demna’s newest Balenciaga assortment, a collaboration with Spanish artist Santiago Sierra (the pure scent was enhanced with a scent by longtime collaborator Sissel Tolaas, impressed by decomposition). It set the scene for a defiant assortment from the Georgian designer, who has been enjoying with dystopian tropes in latest seasons. This time, he mentioned the set was a metaphor ‘for digging for the reality and being all the way down to earth’ – a part of a set which explored the battlefield of individualism. ‘Day-after-day turns into a battlefield to defend [your] distinctive identification,’ he wrote in a letter previous to the present. ‘The extra you attempt to be your self, the extra you get punched within the face.’

Zits Studios

This season, Zits Studios celebrated ten years of displaying in Paris with what artistic director Jonny Johansson known as a ‘twisted wedding ceremony occasion’. ‘Essentially the most iconic occasion I might give you is the marriage. For me, it’s the kickstart to loads of aesthetic selections – what’s essentially the most attention-grabbing occasion that individuals are used to collaborating in, to rejoice one thing?’ he advised Wallpaper*. As such, the all-pink present house – housed contained in the ‘emblematic Paris establishment’ Palais de Tokyo – featured beds with rumpled satin sheets and shell-encrusted candelabras created by nail artist Sylvie Macmillan. It set the scene for a set which performed with the kitsch archetypes of romantic nuptials: ‘from the tablecloth to the chandelier, the wedding-night mattress sheets, the bride’s footwear, the bows, and the lovable flowers,’ mentioned Johansson.

Bottega Veneta

For his sophomore assortment at Bottega Veneta, Matthieu Blazy collaborated with 82-year-old Italian designer, artist, and architect Gaetano Pesce on the set. Comprising a poured resin flooring and 400 chairs – every completely distinctive, that includes naive hand-drawn motifs from smiley faces to cartoonish purses – it was an instance of Pesce’s humanist type, which rallies towards repetition and mass manufacturing. ‘As a designer, I make originals, not standardised sequence, that’s the outdated method – that is the brand new method,’ mentioned Pesce. ‘This house is a tribute to range. It’s concerning the human being; we’re all totally different. We’re all totally different and that is our defining high quality – in any other case, we’re only a copy. We’re all originals, and this is likely one of the themes of my design.’


Gucci S/S 2023 present set. Courtesy of Gucci

Midway by Alessandro Michele’s newest runway present for Gucci, the central wall rose as much as reveal that two equivalent trend exhibits had been occurring directly – all the way in which all the way down to the fashions, which had been equivalent twins. Titled Twinsburg, after an Ohio city that hosts an annual gathering of twins (the place most of Gucci’s fashions had been scouted), the present house itself featured a portfolio of photographs by Canadian photographer Mark Peckmezian of duplicated faces in varied expressions. ‘A mirrored image on how identification is comprehended by the presence of one other,’ mentioned Gucci of the photographs, which mirrored the exploration of individualism that ran all through the present and assortment. ‘It’s the phantasm of similitude,’ mentioned Michele. ‘The sport of phantasm of a cracked symmetry. Twinsburg performs this recreation, offering rigidity within the relationship between authentic and replica.’


Prada S/S 2023 present set. Courtesy of Prada

Earlier this 12 months, Prada backdropped its menswear assortment with an enormous rendering of a paper home, full with cut-out home windows and doorways (in its simplicity, it was reminiscent of a kid’s drawing). For his or her womenswear present, a darker, extra unsettling temper – the white paper had been inverted to black; by the home windows, unusual movies glowed. These quick movies had been a collaboration with filmmaker Nicolas Winding Refn – who additionally collaborated extra usually on the present’s mise-en-scène – and captured home scenes, from a lady taking off her footwear to the underside of a mattress. ‘Though the collaboration is across the present, relatively than the gathering, we’ve got been impressed by the collaboration, by his perspective on Prada,’ mentioned Raf Simons, co-creative director of the home with Miuccia Prada. ‘There’s a mirror of cinema within the assortment, of witnessing fragments of a bigger complete. Completely different our bodies of labor, inside a single physique of labor – shifting between disparate kind languages.’

Louis Vuitton

A ‘pulsating monster flower’ (as the home described) offered the backdrop for Louis Vuitton’s newest assortment. Created by Algerian artist Philippe Parreno, the huge, tent-like building featured rows of flashing mild bulbs and slowly rotating mirrors – the impact one thing akin to a funhouse corridor of mirrors. It was a mirrored image of the gathering itself, which performed with proportion and scale, from blown-up variations of the home’s monogram and {hardware} (zippers, eyelets and the like) to supersized equipment. ‘It’s a stylistic train that re-evaluates the proportions of clothes and its adjuncts, one wherein the codes of femininity unsettle scale,’ learn the gathering notes. ‘The infinitely massive and the infinitely small come collectively on silhouettes, inviting a re-evaluation.’ 

Miu Miu

This season, Miuccia Prada collaborated with Chinese language artist Shuang Li on the present’s set, making a darkened house lit with digital screens which performed repeated quick movies harking back to pc screensavers or inventory imagery (glowing wind generators, rotating planets, a bouncing 3D shark). The work was a touch upon the thought of the fallacy of the ‘wi-fi cloud’, which is the truth is supported by ‘1000’s of kilometres of undersea cabling which populates the ocean flooring’ (certainly, the cylindrical black seats had been harking back to these cable’s pipe-like design). ‘Shuang Li’s work explores this rigidity between the fabric and immaterial and the obfuscation thereof,’ mentioned Miu Miu in an announcement. ‘The messages misplaced in transmission don’t simply disappear however relatively, imagined right here, can tackle one other kind, punctuating the sky.’


The cinematic inspirations behind Virginie Viard’s newest assortment for Chanel had been two-fold – first, Coco Chanel’s costumes for Alain Renais’ Final 12 months at Marienbad (the nouvelle obscure… the night time, feathers, sequins, heels’). Second, up to date actress and home muse Kristen Stewart, who Viard mentioned ‘is the closest to Gabrielle Chanel, no less than to my concept of her’. ‘She understands Chanel, its garments. And together with her, it turns into much more fashionable.’ The 2 mixed in a brief movie by Inez & Vinoodh starring Stewart, which sees her emerge from artwork home Parisian cinema Champo after a screening of Final 12 months at Marienbad. Within the huge present house – housed inside the Grand Palais Éphémère – floor-to-ceiling screens immersed visitors within the movie, looping across the viewers in a dramatic celebration of the facility of cinema. 


This season, Nadège Vanhee-Cybulski imagined her girl for S/S 2023 at a ‘rave within the desert’ – ‘the sounds radiating from behind the hill follows the drift of the daybreak: she’s by no means felt something so stunning’. The present set itself was evocative of a desert scene – albeit in sometimes luxurious type, with an expanse of beige carpet evocative of sand – its central level a recreation of a sand dune, round which fashions looped. Because the present went on, it shimmered to life with trippy-coloured projections. ‘The colors from the panorama got here alive and started to maneuver,’ the gathering notes described. ‘To shimmer as if liquefied.’


Dior S/S 2023 present set. Courtesy of Dior.

Maria Grazia Chiuri’s newest Dior present set noticed the designer proceed a convention of collaborating with worldwide ladies artists. This time, it was Eva Jospin – a French artist identified for her intricate sculptures in card, which regularly characteristic components of bas-relief – who created an intricate cardboard ‘cave’ evocative of Baroque grottos which ran down the centre of the runway. The gathering itself appeared in the direction of the Baroque stylings of Florentine noblewoman Catherine de Medici who introduced Burano lace, the corset, and platform heels to France by her marriage to King Henry II – components which Chiuri reinterpreted by a Twenty first-century lens.


Courrèges S/S 2023 present set. Courtesy of Courrèges

An annular sand-covered runway – evocative of a seaside – offered the setting for Nicolas Di Felice’s newest Courrèges assortment, which he mentioned was about ‘elapsed time, wanting ahead, glancing backwards’ (the gathering’s designs solid a hyperlink between the Belgian designer’s sensual minimalism and the futurism of the home’s eponymous founder). As such, sand streamed from the ceiling onto the runway beneath; the impact was one thing like being suspended in a large hourglass. ‘To have a look at the previous as we glance to the thought of the long run,’ learn the gathering’s accompanying notes. ‘As a technique to create for the now.’ §

Supply: Wallpaper

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