One of the best issues we’ve seen at Paris Design Week

Paris Déco Off and Maison & Objet have descended on town, bringing designers, consumers and trade fanatics to its bustling streets. Wallpaper* is on the bottom, trawling for essentially the most thrilling launches and rising traits of 2026. Under, we spotlight our standout shows throughout furnishings, textiles, objects and extra. From craft-focused materials to versatile seating and a definite wealth of archival revivals, these are Wallpaper’s picks from Paris Design Week, showcasing each rising currents and the enduring craftsmanship of town’s design homes.

A research of sunshine at Rubelli

Rubelli’s 2026 assortment, ‘Luce’ – which means ‘mild’ – takes inspiration from the behaviour of sunshine, exploring its interplay with form, color and area. Marking a departure from the home’s conventional botanical motifs and elementary geometries, ‘Luce’ treats material as an energetic participant in its atmosphere, filtering and reflecting mild in charming methods. Silks and satins comparable to ‘Aurora’, ‘Ripple’ and ‘Darkish Woman’ reveal luminous sheens and dynamic visible results, whereas jacquards like ‘Highlight’ introduce daring geometric patterns in intense hues. Reflecting a broader pattern this yr, the gathering additionally extends outside, with textiles designed to seize daylight and the shimmer of the ocean.

A historical past lesson at L’Objet

L’Objet’s ‘Grand Tour’ assortment attracts on the 18th- and Nineteenth-century custom that noticed younger aristocrats journey by means of Europe discovering classical artwork, structure and pure sciences as a cultural ceremony of passage. Reimagined for up to date interiors, the gathering presents dinnerware as fashionable souvenirs. Every bit is crafted from effective porcelain, enriched with hand-applied 24ct gold and adorned by means of a fancy multi-layer decal course of that echoes the precision of pietra dura stone inlay. Illustrated botanicals evoke semi-precious stones comparable to jade, lapis and carnelian, recalling the objects of curiosity as soon as gathered by grand tour travellers. The result’s hanging.

Extra wanting again at Dedar

Dedar’s 2026 assortment celebrates, as soon as once more, a dialogue between up to date design and historic references. Lengthy drawn to figurative motifs, the home now appears to be like to tapestry traditions, reimagined tartans and kaleidoscopic patterns impressed by the Centre Pompidou, alongside cosmic influences recalling constellations, cave work and hieroglyphics. The palette strikes from smooth pastels to vibrant hues, whereas textures span fluid satins and luxurious velvets to elegant mohair and handcrafted uncooked silks. Throughout materials and wall coverings, the gathering fuses historical past and modernity, abstraction and figuration.

A chandelier like no different at Baccarat

Baccarat has teamed up with designer Harry Nuriev for an exhibition at Maison Baccarat. At its centre is a radically reimagined ‘Zénith’ chandelier, integrating on a regular basis objects – pens, bottle caps, CDs, youngsters’s toys – into its intricate crystal type. The piece embodies Nuriev’s philosophy of ‘transformism’, repurposing objects whereas preserving their reminiscence and blurring the road between artwork and performance. The exhibition additionally revisits Baccarat icons, together with the ‘Harcourt’ glass, carafe and ‘Sirius’ crystal ball, engraved and enamelled with phrases and pictures. This collaboration reframes crystal as each a luxurious and a conceptual medium, providing sudden views on classical varieties.

Glass that appears like wind-blown material at Lalique

Lalique’s ‘Air de Lalique’ assortment explores the essence of air – its lightness, motion and transitory nature – rendered in crystal. It is introduced in two chapters, the primary introducing sculptures impressed by a delicate breeze, with satin-polished undulations, sundown hues and coral patinas, together with the signature ‘Alizé’ vases and bowls. The second chapter reimagines pleated crystal as luminous lighting objects. Inventive director Marc Larminaux additionally unveiled a private experiment, the neo-pop ‘Teddy Air’ sequence, whose varieties convincingly evoke inflatable balloons. Past ‘Air de Lalique’, the home marks the centenary of Suzanne Lalique Haviland’s ‘Tourbillons’ vase with a coral reissue, and likewise expands into creative collaborations – with Chinese language artist Fang Lijun and the Magritte Basis.

Elegant furnishings at Leleu

Maison Leleu unveiled ‘Classiques Modernes’, a set that revisits the home’s artwork deco heritage whereas embracing the freer, bolder and extra female course launched by Alexia Leleu. Iconic designs – together with the ‘Ève’, ‘Coco’ and ‘Marilyn’ chaise longues and the ‘Aglaé’ cupboard – are reinterpreted utilizing up to date supplies, notably Dedar materials. The presentation is enriched by up to date jewelry from Catherine Le Gal and a curated number of artworks developed in collaboration with Spaceless Gallery. The ensuing dialogue between craft, materiality and fashionable expression feels genuinely contemporary, underscoring Leleu’s ongoing reinvention of French haute décoration.

Liberty opens the archive

To mark its a hundred and fiftieth anniversary, Liberty has unveiled ‘The Home of Liberty’ wallpaper assortment, drawing on greater than 60,000 archival designs. The gathering distills the corporate’s historical past into three chapters – ’Arts Membership’ (1860-1875), ‘City Home’ (1875-1910) and ‘Painter’s Home’ (1960-1980) – reinterpreting historic patterns for up to date interiors. Seventeen hand-painted designs span panoramic murals, wide-width landscapes, floral trails, painterly ditsies, refined geometric and grasscloth finishes, all rooted in Liberty’s distinctive palette and textural richness.

Indoor-outdoor versatility at Ginori 1735

Ginori 1735’s ‘Domus’ capsule assortment, designed by Luca Nichetto, brings collectively furnishings, lighting and ornamental objects with a fluid indoor-outdoor sensibility. Many items are designed to transition seamlessly between settings, reflecting a rising emphasis on versatility. Offered as a sequence of environments – out of doors, lounge, eating, workplace and café – the exhibition evokes a variety of moods, from quiet contemplation to social vitality. A spotlight is the ‘LaVenus’ chair, a sculptural reinterpretation of the model’s basic armchair. All through the gathering, Nichetto articulates a holistic imaginative and prescient of up to date residing that’s playful, elegant and aware of evolving existence.

Silk Street-inspired textiles at Fischbacher 1819

Fischbacher 1819 unveiled the ‘Silk Street Assortment’, a textile narrative impressed by the historic East-West commerce routes. Drawing on the landscapes, crafts and artefacts encountered alongside the Silk Street, the gathering interprets deserts, mountains and historical cities into wealthy textures, patterns and supplies. Spanning upholstery, material, wall coverings and ornamental parts, the palette strikes from sun-warmed neutrals and mineral tones to the deep blues and greens of Central Asia and Persia. Sustainability is integral, with recycled and pure fibres used all through. The result’s a celebration of cultural alternate, reimagined by means of a recent lens.

An icon reimagined at Agapecasa

Agapecasa continues this yr’s theme revisiting of design heritage with the re-edition of the 1959 ‘Schwob’ desk by Angelo Mangiarotti and Bruno Morassutti. Outlined by the important varieties, structural precision and materials honesty of the Fifties, the piece was initially designed for Villa Schwob in La Chaux-de-Fonds. The desk joins the broader ‘Mangiarotti Assortment’ – alongside the ‘Eros’ desk, ‘Tre3’ chairs, ‘Cavalletto’ system and ‘CAP53’ vases – collectively articulating a dialogue between historic structure, midcentury innovation and up to date reinterpretation.

International craftsmanship at De Le Cuona

De Le Cuona leaned into one other key theme of the week: craftsmanship. An set up that includes the quick movie True Luxurious Takes Time accompanied a preview of the ‘Woven Earth’ assortment, impressed by international landscapes starting from Chinese language rice paddies to American deserts and Incan trails. The gathering explores the meticulous course of of remodeling pure fibres into luxurious textiles, with sculptural seating and layered materials inviting guests to have interaction with the items firsthand. By this immersive presentation, De Le Cuona underscores its dedication to heritage, sustainability and the poetry of world craft traditions.

Tactile wall coverings at Élitis

Élitis’ 2026 wallcovering collections rework partitions into sensorial canvases, balancing delicacy with depth. Crafted from silk, handmade papers, pure fibres, weaves and mineral textures, the designs draw inspiration from Japanese aesthetics, Thirties-40s modernism and volcanic landscapes. The ‘Écume’ vary evokes the ocean by means of gesso shells, metallic jacquards and mother-of-pearl patinas. ‘Lanzarote’ interprets basalt and aquamarine into textured surfaces, whereas ‘Madagascar Arrowroot Uncooked Raffia’ blends tropical fibres with luminous highlights. Élitis has created wallcoverings which are each visually hanging and tactilely participating, elevating partitions into actually memorable surfaces.