Barbados-born American modern artist Ashley Bickerton has died on the age of 63.
Bali-based Bickerton’s work grew to prominence within the Nineteen Eighties, and he’s extensively named as a contributor to the Neo-Geo motion – or Neo-Geometric Conceptualism – which first arose in New York. Encompassing artists together with Peter Halley, Jeff Koons and Meyer Vaisman, the motion commented on social isolation and critiqued consumerism, commercialisation, and society within the late-1900s.
Although recognized with motor neurone illness in 2021, Bickerton persevered along with his inventive pursuits. ‘Life is to be lived and obtained on with, and I’m busy – too busy – for (pity),’ he informed author Michael Slenske in an interview final 12 months. In 2023, Bickerton’s work will likely be offered at Gagosian New York, his first solo present with the gallery.
Bickerton’s fashion took on influences from pop artwork, op artwork and minimalism whereas difficult structural discourses and questioning what the motion known as the ‘geometricisation of recent life’. Inside the motion, his works drew consideration from an early-career Damien Hirst, who remembers not realizing ‘whether or not he was a painter or sculptor’, and pointing to the indefinable nature of Bickerton’s ever-evolving inventive id. ‘I don’t need to be a slave to a signature figuring out model look,’ he defined final 12 months.
In 1993 Bickerton relocated from New York to Bali, and along with his new house got here new expressions; the abstraction in his work made means for confrontational depictions of the human type.
His outsized sculptures took the type of pores and skin, our bodies sure by rope, and twisting arcs of necks housing contorted faces. His years away from the inventive scene he was so closely concerned in induced his work to evolve inside Neo-Geo in direction of surrealism.
Lately, Bickerton’s work took on a extra dystopian surrealism, whereas sustaining his potent feedback on consumerism and human civilisation. In October 2022, he offered works in Paris alongside Nathaniel Mary Quinn and Brice Marden at Paris+ par Artwork Basel, and his work has been proven at galleries in New York, LA and Singapore all through 2022, together with the notable exhibition ‘Seascapes on the Finish of Historical past’ at Lehmann Maupin New York. These complicated exhibitions, usually combining sculpture, reduction, portray and assemblage, introduced dynamism and vibrancy to their audiences, very similar to the legacy Ashley Bickerton will depart behind.
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