The cosmos meets artwork historical past in Vivian Greven’s New York exhibition

by Editorial Team
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What does it imply to dwell in a world organised by the cosmos? A world structured not by people, not by machines, however by pure forces? By a definite painterly type mixing technical precision with the layered results of peering into digital screens, artist Vivian Greven addresses questions like these and extra. She dives into Greco-Roman artwork historical past to mine the depths of and myths surrounding historical sculptures; to reflect our existence on a cosmological scale; to reimagine what it means to occupy a physique – and this world – right this moment.

‘I’ve all the time been very involved in regards to the membrane of the pores and skin: the floor and the connection to the quantity and the physique beneath it,’ the artist says once we meet at her studio in Dusseldorf, Germany. ‘However out of the blue I felt like I wanted extra air within the work, and I started fascinated by the cosmos.’

Vivian Greven, ‘When the Solar Hits the Moon’ at Perrotin NYC

#9 Vivian Greven. X XIX, 2024

(Picture credit score: Photographer: Ivo Faber. Courtesy of the artist and Perrotin)

This latest thought led to the event of ten new work, which will probably be on view in ‘When the Solar Hits the Moon’, her debut exhibition with the gallery Perrotin in New York Metropolis, additionally marking her first solo exhibition in america.

Supply: Wallpaper

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