Within the years following the second world conflict, a big group of creatives criss-crossed the globe in quest of contemporary horizons and inspiration. The ensuing dialogue and shared appreciation for modernist concepts that developed between Europe and Latin America throughout this period is explored in an exhibition of greater than 100 works—spanning furnishings, lighting, and portray—inside Galerie Gabriel’s penthouse area in New York.
(Picture credit score: Billal Taright)
(Picture credit score: Billal Taright)
To curate the present, titled ‘Crossed Trajectories: Jean Royère, Roberto Platé, and the World Journey of Designers and Artists,’ gallery founder Nancy Gabriel enlisted New York-based inside designer Andre Mellone, who himself relocated from Brazil, to lend his eye for modernism and current artwork and design on equal footing.
(Picture credit score: Billal Taright)
(Picture credit score: Billal Taright)
‘It is not usually that you simply get to play with this stage of design,’ stated Mellone, who admitted to feeling like ‘a child in a sweet retailer’ whereas deciding on and arranging the works. With the Manhattan skyline as a blinding backdrop, items by French designer Jean Royère and Argentine artist Roberto Platé take centre stage, joined by works from friends who equally crossed the Atlantic in each instructions.
‘It is not usually that you simply get to play with this stage of design.’
Andre Mellone
(Picture credit score: Billal Taright)
(Picture credit score: Billal Taright)
Slightly than furnishing the rooms as home areas, the place items are usually learn collectively, Mellone appeared to the layouts and styling of mid-century lodge lobbies and workplace ready rooms, permitting every work to face alone. With nearly no equipment, minimal floral preparations and playful moments resembling chairs dealing with away from each other, the end result resembles what Mellone describes as a ‘’50s lodge in Casablanca.’
(Picture credit score: Billal Taright)
(Picture credit score: Billal Taright)
Royère, ‘a real nomad,’ moved from his native Paris to Beirut, Tehran, and later Lima and São Paulo, absorbing influences for his furnishings alongside the way in which. After learning the designer’s extremely stylised, colour-blocked sketches, Mellone translated them into vignettes anchored by flat, single-hue wool carpets from Nordic Knots that give every area its personal identification.
(Picture credit score: Billal Taright)
(Picture credit score: Billal Taright)
Inspired by Gabriel, he continued this daring method to color by way of the furnishings choice, together with a baby-blue upholstered couch and membership chair set by Royère that he says is in contrast to something he has ever seen. ‘If I even considered utilizing these colors in my very own work, my shoppers would go loopy,’ he joked. Mellone additionally favours a Jorge Zalszupin bookshelf within the inexperienced room, and a Joaquim Tenreiro credenza topped with two small raw-iron lamps.
(Picture credit score: Billal Taright)
(Picture credit score: Billal Taright)
The house’s hovering ceilings simply accommodate Platé’s large-scale work. Having fled Argentina’s dictatorship for Paris, Platé labored as a set designer earlier than turning to summary artwork—a background Mellone instantly recognised within the ‘scale and theatricality’ of the works, which he fell in love with. He positioned them in dialogue with furnishings and lighting by Martin Eisler, Carlo Hauner, Giuseppe Scapinelli, Zanine Caldas and lots of others.
(Picture credit score: Billal Taright)
Importantly, ‘Crossed Trajectories’ underscores the very important position of cross-cultural trade in growing and disseminating new concepts. The exhibition additionally affirms that the motion of individuals can result in extraordinary inventive output, and due to this fact must be inspired quite than impeded.
‘Crossed Trajectories: Jean Royère, Roberto Platé, and the World Journey of Designers and Artists’ is on view by way of 17 April 2026 at Galerie Gabriel Sutton Tower.
Supply: Wallpaper