‘I feel The Queen should have identified, as a result of I used to be concerned, that they have been going to make it a Folks’s Video games. So there was an opportunity [for her] to take a threat with it.’
So stated Danny Boyle to me in early 2013. The Oscar-winning filmmaker was reflecting on Isles of Marvel, the much-admired, kaleidoscopic, best-of-British Opening Ceremony he’d directed for the earlier summer season’s London 2012 Olympics. And my, how he’d delivered. Pistols (Intercourse), Poppins (Mary) and a parachuting monarch strapped to James Bond – all stuffed the purpose-built stadium within the metropolis’s jap boroughs for a magical night time that managed to rejoice the NHS, Shakespeare, UK popular culture and the Video games themselves.
The organisers of final night time’s Paris 2024 Opening Ceremony wished to make their curtain-raising spectacle a individuals’s get together, too. A lot in order that they ditched many years of custom and took their occasion out of an enclosed, ticketed stadium and threaded it by the bustling streets and luxurious buildings – and extra importantly, alongside the long-lasting arterial waterway – of the French capital.
Paris 2024 Olympics opening ceremony highlights
With 320,000 spectators lining the banks of the Seine watching a flotilla of 85 barges ferrying athletes from 205 international locations alongside the 6.5km route, and 18 bridges and a number of embankment places serving as phases for 12 ‘inventive tableaux’, this was the occasion as a river of spectacle.
‘A gap ceremony like no different,’ stated BBC commentator Hazel Irvine at first of inventive director Thomas Jolly’s four-hour welcome bash that built-in the athletes’ parade with the festivities. ‘For us, it’s a visit into the unknown,’ added co-presenter Andrew Cotter, just a bit apprehensively, of an occasion that, on account of its very public nature, occupying your complete coronary heart of Paris, had been unimaginable to rehearse. Definitely, it obtained off to a splashy begin, and never simply because near-incessant rain meant there was as a lot water coming from above as from beneath.
After an early, torch-carrying look from French sporting hero Zinedine Zidane, and because the first boats, carrying the groups from Greece and the Refugee Olympic Crew, ploughed up the Seine, Girl Gaga descended mock Metro steps to the river’s edge. She gave her lusty all to a bit that urged Liza Minelli in Cabaret, with black-clad dancers fluttering pink (faux) ostrich feathers in entrance of her and a choreographed horn part parping away on the quayside. However for all her superstar-power, the lopsided jazz of basic Seventies showtune ‘Mon Truc En Plume’ let her down in a skit that felt much less Moulin Rouge than Benny Hill.
Talking of the long-lasting French cabaret membership: after the boats from Belize (shout out to their plucky single athlete), Benin, Bermuda and Bhutan, the cruise-by of the Cambodian and Canadian groups was flanked by can-can dancers all the best way from Montmartre establishment that gave the world the high-kicking dance.
They, like dancers elsewhere on the river banks, have been completely clad in pink, the organisers taking the ‘la vi en rose’ prettily and actually (see our interview with Paris 2024’s director of design Joachim Roncin). The rain-spattered cameras sometimes lower to a mysterious, hooded determine of the torch-bearer, traversing town en path to the Olympics cauldron. Now she/he was on the Parisian rooftops, doing a little bit of non-Olympic sport parkour, ‘which is French for bouncing round a bit’, stated Cotter wryly. ‘I do have a French diploma,’ he assured us.
All of the whereas, these tableaux unfolded, some extra understandable than others. After the ‘Enchanté’ chapter got here ‘Sychronicité’. It opened with pre-recorded pictures of craftspeople engaged within the reconstruction of Notre Dame after the devastating hearth of 2019. Their instruments and actions impressed the music and choreography of a 500 dancers-strong phase that featured some hanging off the scaffolding surrounding the cathedral, and others down by the river, kicking up spray in glittering gold troughs of water.
In the meantime, again on dry-ish land, there was savvy product placement for Louis Vuitton because the organisers gave us the narrative of the making of the Chaumet-designed Olympic medals, every containing a portion of metal from the Eiffel Tower, the gold, silver and bronze valuable cargo then wheeled by the streets in specifically created LV baggage circumstances.
For ‘Liberté’, the members of rock band Gojira have been stationed on precarious platforms excessive up the outside of one other grand constructing, blasting out heavy-metal riffs whereas an opera singer sailed by on a wheeled galleon, a part of the symbol of town of Paris. Then, because the sound of the rain competed with a blast of Carmen, it was into one other set-piece: acrobats scything by the gray sky on big, swooping poles as the form of an enormous pink coronary heart, fashioned from smoke, drifted beneath the clouds. The Metropolis of Love was giving us simply that. And it was giving heaps and plenty extra. Typically an excessive amount of. French-Malian star Aya Nakamura, probably the most listened to French-language singer on Spotify, carried out her 2019 hit ‘Pookie’ backed by 60 military-band musicians from the Republican Guard – an excellent mash-up, showcasing outdated and new France.
‘Festivité’ gave us a runway present on a bridge, seated dancers making up the FROW, a highlight on Paris because the world capital of trend. ‘Sororité’ gave us ‘La Marseillaise’ sung from atop one other grand constructing by mezzosoprano Axelle Saint-Cirel as ten gold statues of well-known French ladies rose from riverside columns – botanist Jeanne Barret, femme de lettres Christine de Pizan, anarchist and feminist activist Louise Michel… However no, no Celine Dion. Not but.
Heading in direction of the fourth hour, issues lagged. The athletes’ boats had all arrived, however the bodily embodiments of the video games hadn’t. After a formidable however seemingly interminable gallop up the center of the Seine by a gendarmerie horsewoman on a cool, glass robo-nag, the Olympic flag was taken ashore and carried to a short lived stadium constructed underneath the Eiffel Tower.
100 years on from the final Paris video games, there was speechifying from suited Worldwide Olympic Committee bosses; justifiably proud acknowledgement of France’s position in creating the fashionable video games courtesy of ‘father of the Olympics’ Pierre de Coubertin (the Olympic flag was his design); and impassioned requires unity, compassion and perception within the true spirit of the video games in a divided world. Then, the return of Zidane, who handed the torch to Rafael Nadal, who took it again to a motorboat. And on the torch continued, again up the river, as ‘Supernature’ by French home and disco godfather Cerrone blared out.
Eventually the flame got here ashore and, carried by a last phalanx of French sporting heroes, lit the Olympic cauldron underneath a 30m-high sizzling air balloon (like parkour, one other French invention). Because the balloon rose into the air, we in the reduction of to the Eiffel Tower, and there she was: the French-Canadian grande dame of the massive second, Celine Dion, singing ‘Hymne à L’amour’, made well-known by Edith Piaf.
It was a spectacular finish to an epic night that, within the last second, got here collectively within the enamel of the weather and the frequent disconnect of wildly ingenious, a number of shifting components scattered proper by the guts of town. ‘One of the vital complicated and troublesome broadcasts ever undertaken, wherever,’ concluded Hazel Irvine, and she or he wasn’t unsuitable. Paris had celebrated itself, and rightly so.
Supply: Wallpaper